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Category: ON1 Plus
Learn how to blend photos into a panorama really fast and create a beautiful dramatic architectural image as the end-result. ON1 Photo RAW 2018 makes it really easy for us to blend our images together, so that makes it easier for me while shooting to not have to dread the post-production of shooting Panos. For this inspiration video, I’m going to take you on a trip from Istanbul to Manhattan and let you know my thought process for capturing with the camera all the way to post-production with ON1 Photo RAW 2018.
In this video, we’ll cover the essential concepts for editing an architectural photo from start to finish. We’ll begin with necessary tone adjustments and try different blending modes to take control of the shadows. Later in the video, I will show you creative ways to use the blur and vignette filters to give the photo more depth. If you have any questions, please feel free to leave them in the comments below, thanks!
In this introduction we’ll discuss important concepts for photographing architecture from a fine art perspective. There won’t be any editing in this video but you will get visual examples as I cover the different types of architectural photography. We’ll discuss all sorts of aspects of shooting architecture; from lines to gear to lighting and more.
Hello ON1 Community and greetings from Chicago! I’m super excited to be here and to be able to share with you a lot of what I know about fine art architectural photography. I’ve been working in this genre for quite awhile and I’m going to help you avoid some of the mistakes that I made. Great architectural photography is about so much more than finding a cool building, taking some photos, and digging into Photo RAW. So, what are we going to be talking about?
It has been a phenomenal month as a guest coach. We discussed the Luminosity Making feature in Photo RAW quite extensively. If you were a novice before I hope that bumped you up a couple of notches. If you were an amateur Luminosity Masker, I could only wish that you are more comfortable using it.
Let’s wrap all this Luminosity Masking stuff up to one killer conclusion! We are going to talk about some advanced concepts here, but by the time you are done, you will be prepared to take on the Empire!
Here’s a short video on how to best setup and use a Wacom pen tablet with Photo RAW. I’ll talk a bit about what tablets I use, and show you how I set them up and use them in my editing workflow. We’ve had a lot of questions about pen tablets in the Plus forums, which led us to create this video. Remember to use the Ask a Coach Plus forum if you have questions or things you want to learn more about. It drives this type of community content. Below the break are links to the tablets I showcase in this video.
Hello Everyone! Thank you to those that uploaded a photo to be critiqued this month. The individual photo critique videos are posted below.
So we already talked about the Science behind Luminosity Masks and how to use them with Landscapes.
This week we are going to look at how we can use Luminosity Masks with Portraits. Don’t read too far into this, in reality, it is no different than using them with Landscapes. All of the principles remain the same we just have to decide where we want the viewer to focus. Luminosity Masks can be instrumental with portraits, they are not just Landscape tools!
Black & White tones are great for creating a beautiful seascape photo. A powerful tool in ON1 Photo RAW 2018 allows for greater control and creativity in your photo editing. Specifically, Luminosity Masks allow you to selectively edit and apply effects to just the tones you want. If it sounds complex it REALLY isn’t. In fact, this technique will help your photo editing workflow become faster and more efficient. This works particularly well when editing landscape photos (or seascapes such as this one), and is perfect for enhancing a boring sky.
So we talked about the Science behind Luminosity Masks last week. While I love that stuff (the inner number nerd in me) you may have found it to be a little underwhelming because we were working on a Test Image.
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Luminosity masks are a go-to tool of mine when shooting sunsets, or trying to make a subject and a sky stand out. Join me in this complete, start-to-finish ON1 Workflow edit using luminosity masks to accurately post-process and apply filters to specific parts of this image. You can download the practice file and full video in this post.
There have been a number of questions in the Plus Community Discussion Forum this winter that relate to monitor calibration. For those of us who like to print, having your monitor calibrated for color and brightness is absolutely key to getting prints that look like your edited image on screen. In this video I’ll explain why and show you how I calibrate my monitors. Below the break are some links to the tools I use in this video below the break as well as some links to learn more and test your monitor’s performance without hardware.