Learn how to make a large triptych metal print using both ON1 Photo RAW and the ordering process with Bay Photo Lab. I’ll prep the photos in ON1 and then sends the files off to my favorite lab for metal prints, Bay Photo. I will also cover my tips along the way to get the best output in both ON1 Photo RAW and the Bay Photo ordering process.
We’re excited to announce an all-new course coming this February to ON1 Plus. “Shoot to Print” will feature 11 video lessons and cover the entire process of printing, from capture to ink on surface. This course will encompass everything you need to know to get great prints—whether you’re sending them off to a lab or printing at home. Look for it coming in February, free to ON1 Plus members.
This month we have a great giveaway for ON1 customers from Artsy Couture – a free Metal print! Metal prints offer unrivaled color brilliance on a crisp new wall decor medium. In this video, I will cover some of the best practices for printing on metal – and how to make a beautiful print with ON1 Photo RAW 2018.
Getting the color out of your printer to match what you see on screen is the job of your color management system. Both Mac OS and Windows have built-in color management systems to enable this, along with the apps you use for photography. In order for color management to work properly, you need a profile for each of your devices. The profile acts like a fingerprint for the color for the device. The color management system uses these profiles to translate the color interpretation of one device to another. In this latest post I explain how color management works inside of ON1.
In this final video I’ll talk about the various options when outputting your photos, whether it be for web, print or something else.
Hi all. We’re wrapping up our print week today with a video on sending your photos to some one else to print. It could be a photo lab, or just a friend with a printer. Either way, here’s some of the best methods and settings for saving your photos to print, if you’re not printing them yourself.
Now that we’ve finish edited our file, calibrated our monitor and soft-proofed the image, it’s time to make a print. I’ll showcase my workflow for creating a small test print (a hard-proof) before printing this image big. Tomorrow Matt is going to share a video about how to send your images off to have printed at a lab.
If you want to get really accurate prints, calibrating your monitor is critical. Without a well calibrated monitor, it’s tough to know if you are viewing accurate tones and colors as you edit and softproof your images. In the video below I’ll show you how I use my i1 Display Pro colorimeter to calibrate my display.
Welcome to Day 2 of print week. A few of the questions we get a lot when it comes to printing is how much do you sharpen your photos? How about Noise Reduction? And finally, how do you soft proof? Well, today we’ve put ’em all in to one topic, and believe it or not, it’s actually much easier than it all sounds. Enjoy!
