PLUS

Announcing the Plus Member to Member Help Forum!

Hello Plus members, we’re excited to announce the new Plus peer help forum! By Popular request, we’ve created a place in the Plus forums for members to help each other. This Forum is for peer to peer help, ask other members for help and advice on everything related to computer hardware and ON1 apps. Of course, we will continue to offer the same excellent in-house priority Plus support in addition to this new resource.

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ON1 Workflow – Editing Travel Photos in ON1 Photo RAW 2017

Hi everyone,

Grab a coffee and a comfortable seat for this ON1 Workflow video. Earlier this summer I visited Japan and was able to photograph Seiganto-ji, an impressive temple and pagoda with Nachi Falls pouring through the lush forest. It’s a classic photo, and one that was on my “photo bucket list” – until now!

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Pano Stitching

Merge multiple photos together into a panorama or a matrix. Take a series of multiple photos and easily merge them together to seamlessly create photos with a higher mega pixel count. You’ll love the new sharing options for Facebook too.

 

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PLUS

New ON1 Plus Dashboard

I’m extremely excited to share with all you Plus members this all new website dashboard. Whether you visit ON1 Plus website every day, once a week, or only have time to drop in once a month, this page is the perfect place you to start. Watch this video to get a quick tour!

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ON1 Short Clip – Color Grade Your Photos Like A Pro

Adding a color grade can not only make managing color easier, it also allows you to create mood and pull the whole photo together.

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PLUS

Intro to Time-lapse Photography

Communicating our experiences requires the use of time/shutter speed to portray stop action or slow motion.  But, sometimes, that one click just doesn’t re-create the feeling we experience.  How can we communicate the passing of time without taking forever?  Enter time-lapse photography.  This week we begin our series by discussing what exactly time-lapse is, various capture devices for making time-lapse, essential and optional accessories to get started and what makes a good time-lapse subject.

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The ON1 Photo RAW Project – EXPOSED

The ON1 Photo RAW Project was launched just over a year ago and has been a huge success. It has changed the way we design and build software today. Now it’s time to pull back the curtain a bit and show you how invaluable your input has been.

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PLUS

TOTAL ECLIPSE COMPOSITE EDITING TUTORIAL

That was amazing! The eclipse has come and gone and I’m still buzzed just remembering how cool totality was. The predawn rush to beat traffic and the 6-hour, 40-mile drive home were worth it. Now I understand how eclipse chasers catch the bug.

My goal from the beginning was to enjoy the eclipse with family, friends and my workshop students while capturing a composite landscape image of it moving through its phases over an oak tree. In the video above I explain how I photographed this  and showcase the simple compositing technique I used in both Photo Raw 2017.6 and Lightroom/Photoshop. It’s really easy and it will also work for blending multiple night images into star trails.

If you want to hear more about my eclipse experience and see more photos and video head over to the latest post on my blog.

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PLUS

Welcome September Coach Laurie Excell — Greetings Friends of ON1!

Time is an important aspect of every photographer’s life. First off, it seems like we never have enough time in our busy lives to enjoy our passion for photography. Then there’s the time of day, which plays a crucial role in the appearance of our imagery. We drag ourselves out of bed at o’dark thirty to be on location at just the moment when the sun crests the horizon, bathing the world in a warm glow and we count down time as the sun descends lower and lower to disappear for the day. For some of us, it doesn’t end there, and we wait for the darkest time of night to photograph the sky, our cameras clicking away at distant galaxies.

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ON1 Short Clip – Prepping a RAW File for Creative Editing

How many times have you taken a photo far into the creative editing process only to find out that you can’t get the tones where you want them?

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