An area many photographers often struggle with is finding quick ways to retouch their portraits. In this video, I will share how I retouch my portraits using Skin Retouching filter in effects, retouch brush and local adjustments for making the eyes pop. With just a little effort you can make your subjects have flawless skin.
I was honored to be a part of the Spring into Summer campaign and jumped on board with a fun video on High School Seniors. As we head into summer, Senior season is in full swing for a lot of studios. At the beginning of the season I enjoy creating a few new presets, inspired by my first couple sessions. Styles and trends are always evolving as well as my mood can vary when I am editing the start of a new season of seniors.
Of all the retouching tools included in ON1, one of the best is the Clone Stamp tool. In version 2017.5, the Clone Stamp is available in the non-destructive workflow part of Develop and Effects.
We’ve reached part 7 where we work with portrait photos that include multiple faces which require different skin retouching settings.
In part 5 of this series I will show how you can retouch just the eyes and mouth in your portrait photos. Whiten, brighten, sharpen, and make the eyes and teeth look amazing.
In part 4 of this series I pick up where we left off with skin retouching. In this video I show more advanced skin retouching options for working on your portrait photos in ON1 Photo (RAW) 2017.
In part 3 of this series I go through the basics of skin retouching on your portrait photos. Don’t forget to check out each lesson!
Access more than just our Perfect Erase inside of ON1 Layers for your retouching needs. With the help of the Retouch Brush & the Clone Stamp tool, you can remove any type of object, no matter how stubborn.
Use the Noise Reduction filter in ON1 Effects with blending modes and luminosity masks to target very specific areas of your photo without elaborate masking. Watch me show you how you have ultimate noise reduction control with ON1 Photo 10.
What if I told you the most effective preset I have in my ON1 Effects Preset folder does absolutely nothing to my image? Well, it’s true, my favorite preset in ON1 does nothing for my photograph while doing everything for my workflow. Oh the word play!
I harp on three things in every one of my video tutorials, target Tone, then Color, then hit the Artistic Effects. In this tutorial, I will show you how to create a preset that will have no effect on your image, but will set you up for success while editing.
This video covers how to deal with sensor dust in post-production using both ON1 Photo 10 and Lightroom. ON1 Plus Members can watch Part II: Dry Sensor Dust Cleaning and Part III: Wet Sensor Dust Cleaning over at the ON1 Plus website.
In this video I will show you how I use Luminosity Masks in Effects 10 to add depth, drama and detail to my photos.
It’s so important for photographers to have a good grasp of what ideal conditions are for the type of photography you are setting out to create. When I’m heading to a waterfall, all I can think about is having a socked in, overcast, grey sky with a little rain. As far as I’m concerned, that’s some of the best shooting conditions for my surroundings in the Pacific Northwest and when those conditions are present during a shoot, I am completely in my element.
I’ll never forget the first time I visited Little Zig Zag Falls, located near the base of Mt. Hood in Oregon. On one hand, the winding trail and creek that leads you from the parking area to the waterfall is absolutely stunning.
Of all the places I’ve photographed and all the extreme weather conditions I’ve been in, I never would have guessed that one of the most challenging locales to create photos in would be an ice cave in Iceland. I had the good fortune to photograph a handful of ice caves during my very first trip there and, next to seeing the northern lights for the first time, this was something I was most excited for.