LUTs LUTs LUTs… That indeed is a word you frequently hear if you are interested in photo editing and image processing these days. I want to demystify this term LUTs and show you how and when they can be useful.
Special note: In the release of ON1 Photo RAW 2019 we added the ability for customers to transfer their photos with raw processing and editing settings from Lightroom’s Develop module (including crop, retouching, and local adjustments) to ON1 Photo RAW 2019. That’s correct! The photos are also migrated non-destructively so they can be re-edited in ON1 Photo RAW 2019. Learn more about the Lightroom® Migration here.
I see lots of questions from Adobe® Lightroom® users who use ON1 Photo RAW for Effects; but find themselves using other features in ON1 Photo RAW more and more. There seems to be an increase in the number of people curious about switching from Lightroom to ON1 Photo RAW. So I put together this top ten list to help explain how ON1 Photo RAW was similar to Lightroom and how it is different. So if are considering switching from Lightroom, please read on. Lets get started!
I remember in school (all those years ago) we used to combine multiple photos either in camera or in the darkroom by sandwiching multiple negatives together. It was a difficult and exacting process, or simply unpredictable at times.
Getting the color out of your printer to match what you see on screen is the job of your color management system. Both Mac OS and Windows have built-in color management systems to enable this, along with the apps you use for photography. In order for color management to work properly, you need a profile for each of your devices. The profile acts like a fingerprint for the color for the device. The color management system uses these profiles to translate the color interpretation of one device to another. In this latest post I explain how color management works inside of ON1.
File size, image size, megapixels and resolution are common terms in digital photography. However, few of us really understand what they mean and how they relate to each other. Let’s break it down so we can make sense of this.
In Part II, in For the Love of Film blog series, we bring you into the studio. I show our set up for creating new Color Film presets for Effects (coming in ON1 Photo 2017.1). If you missed Part I, you can find it here.
Once we raided Jonny’s stash of frozen-in-time film, along with the very few color negative and transparency films we could still get our hands on, it was finally time to go shoot.
The first post of a three part series covering film emulation in ON1 Photo 2017. Product Director Dan Harlacher and QA Engineer Jonny Davenport put together a fun project for emulating film looks in ON1 Photo 2017. These new film looks will be available as part of the next free update.
I wanted to dive in and talk about the different ways to sharpen your photos using ON1. Specifically, why and when you would use the different sharpening methods.
Do you know the differences between High Pass, Progressive and Unsharp Mask Sharpening? If not, follow along and I’ll explain.
Some of you out there shoot with Fujifilm® X series cameras that use the X-Trans® CMOS sensor. These sensors use a unique color filter pattern compared the the traditional Bayer pattern that most cameras use. Fujifilm claims this filter layout reduces moire patterns naturally so you don’t need an anti-aliasing filter which can soften details in your photos. They also claim this layout provides for better color reproduction with less color noise. Here is what that looks like.