Quickly add detail to any photo using ON1 Photo RAW. Whether you’re adding detail to your entire photo or adding it into specific areas, ON1 Photo RAW makes it effortless. Learn different ways you can add detail into your photos and bring them to life.
Quickly learn some tips and tricks on photographing waterfalls. Once you’ve captured some waterfall shots, it’s incredibly easy to set basic tonality using ON1 Photo Raw. Use develop to quickly set your tone and color, then take your photo into Effects to apply the finishing creative touches.
Quickly create and blend masks using ON1 Photo Raw. Use luminosity masks to easily blend filters and local adjustments onto your photos. Luminosity masks allow you to control your mask based on your photos bright and dark areas. Another easy way to blend a filter would be to use a color range mask. Color range masks allow you to create a mask using specific colors. Once you have a mask created, you can blend and refine it easily using the masking tools.
Cataloged folders in ON1 Photo RAW allow you to find, organize, and edit your photos quickly. Cataloged folders inside ON1 Photo RAW will also enable you to organize large groups of images quickly. Once you create a cataloged folder, your image preview files and metadata will be stored in a small media cache. This media cache allows you to browse and view through massive amounts of raw photo files instantly.
Learn how to create stylistic looking photos using split toning inside ON1 Photo RAW. Using split toning you can take your photo to new levels. Simply choose which color you want to use for your highlights and which color to use for shadows. Once you have your color tones picked, you can start editing the split tone controls to create a unique look. Remember to try colors that are going to improve upon your photo.
Learn the basics of ON1 Photo RAW 2018.5 with ON1 Educator Dylan Kotecki. A quick walk-through of each module and some basic Q&A from the audience.
Removing objects when editing your photos with the clone stamp tool is a breeze in ON1 Photo RAW. Learn how the clone stamp tool helps you speed up your retouching workflow. The clone stamp tool is a powerful retouch tool that allows you to remove or move objects, people, and textures in your photo. To access the clone stamp tool just hit the “s” key on your keyboard. Using the clone stamp tool you can quickly and easily remove large or small objects in ON1 Photo RAW.
Lens blur is a great way to create depth of field and blur out objects when photo editing inside of ON1 Photo RAW. Learn how you can use lens blur to emulate a shallow depth of field in your photos. Using lens blur is a great way, but you can also use it to soften distractions. Using masking gradients can help you create a realistic looking lens blur that will help your subject pop.
This is my favorite new feature in Photo RAW 2018! Now, you can not only create luminosity masks, you can tweak them as well. In this video, you’ll learn how to use this super-powerful feature.
Follow along with ON1 Plus Head Coach Hudson Henry as he shows how to use ON1 HDR included with ON1 Photo RAW 2018. He walks you through how he approaches a scene with high contrast. He uses several adjustments in the HDR module and then finishes off the photo in ON1 Effects.
Check out a few of my tips for making standard portrait and wedding shots look magnificent!
See how to create a dreamy landscape with Photo RAW 2018. We will do some quick corrections in Develop and then pop the trees with Local Adjustments. Then jump over to Effects to add Dynamic Contrast and the Sunshine filter for a touch of glow.
Grab a coffee and a comfortable seat for this ON1 Workflow video. Earlier this summer I visited Japan and was able to photograph Seiganto-ji, an impressive temple and pagoda with Nachi Falls pouring through the lush forest. It’s a classic photo, and one that was on my “photo bucket list” – until now!
Adding a color grade can not only make managing color easier, it also allows you to create mood and pull the whole photo together.
How many times have you taken a photo far into the creative editing process only to find out that you can’t get the tones where you want them?