Easily edit action photos using ON1 Photo RAW. Setting the overall tone for your action photos is important especially if they are a little underexposed. Once the tone and color is set for your photo, you can use your crop tool to make sure whatever is doing the action is the main subject of your frame. After setting the tonality and cropping, head into Effects to start adding creative filters to your action shot.
Tag: Color Correction
Learn basic tips to capturing lifestyle and commercial photography. When shooting lifestyle photography, it’s important to think about lighting and composition. Adding light by using artificial lights or by manipulating natural light can help keep your subjects well exposed. By shooting from different angles you can provide unique perspectives for your viewer. Try looking for vantage points you haven’t tried before to get different looks and interesting compositions.
Today, in my new Tip of the Week series, I have three tips I recommend using when editing landscape photos inside of ON1 Photo RAW 2018.5. I can say with confidence that these three tips will quickly turn any landscape photo into a stunning scene. So consider using these three tools when you start to edit any landscape photo as you will likely find that they make a big difference in your edited photos.
Hey everyone! I’m back with another hot tip on how to correct color in ON1 Photo RAW 2018. Specifically for all you landscape photographers out there.
ON1 Guru Scott Davenport photographs quite a lot during blue hour, and that can result in some strong blue casts to a scene. Watch this video as Scott shows you 3 different ways you can quickly fix color casts using ON1 Photo RAW.
Adding a color grade can not only make managing color easier, it also allows you to create mood and pull the whole photo together.
Not every sunrise or sunset is golden, but you can flip the script and make a beautiful photo out of a “blue hour.” Watch me bring out the vibrant colors in this scene. Then, with the powerful Local Adjustments tools, I add the finishing touches to complete his photo.
Getting the color out of your printer to match what you see on screen is the job of your color management system. Both Mac OS and Windows have built-in color management systems to enable this, along with the apps you use for photography. In order for color management to work properly, you need a profile for each of your devices. The profile acts like a fingerprint for the color for the device. The color management system uses these profiles to translate the color interpretation of one device to another. In this latest post I explain how color management works inside of ON1.
One of the most common questions I get is, “Blake, how do I adjust the White Balance in my image when the automated settings just don’t work?” You can adjust the White Balance without slider slamming or guessing, but you have to know a little bit about Color Theory!
Continuing on with our discussion on color, I see a lot of questions on the color channels we can see in our histograms. You could see this in camera if you have your histogram turned on, or you can also see it on all of the various editing apps under the Histogram panels. So what do these channels do? Do they really affect anything? Well, let’s take a look.
In Part 2 of Color Correction with ON1, we’re going to look at some of the more creative aspects of color correcting photos. Especially with our outdoor landscape and nature photos, there is no “right” color for it. So it starts to become more about our personal style and what colors we envision for the photos.
In this first of two videos, we’re going to look at some of the technical aspects of color correcting a photo in ON1 Raw. We’ll look at how we can neutralize color casts, with the White Balance tools as well as take a look at what the Highlight/Shadow Purity controls do.
In this final video I’ll talk about the various options when outputting your photos, whether it be for web, print or something else.
We’ve reached part 7 where we work with portrait photos that include multiple faces which require different skin retouching settings.
In part 2 of this series I am going to do some batch and bulk correction on your portrait photos for your clients. It’s pre-editing for your proofing.