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NEW ON1 NoNoise AI
ON1 NoNoise AI 2024
2024 Now Available

Color Correction

Tech Talk – Color Management

Getting the color out of your printer to match what you see on screen is the job of your color management system. Both Mac OS and Windows have built-in color management systems to enable this, along with the apps you use for photography. In order for color management to work properly, you need a profile for each of your devices. The profile acts like a fingerprint for the color for the device. The color management system uses these profiles to translate the color interpretation of one device to another. In this latest post I explain how color management works inside of ON1. 

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Using the Histogram’s RGB Color Channels

Continuing on with our discussion on color, I see a lot of questions on the color channels we can see in our histograms. You could see this in camera if you have your histogram turned on, or you can also see it on all of the various editing apps under the Histogram panels. So what do these channels do? Do they really affect anything? Well, let’s take a look.

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Color Correction Part 2

In Part 2 of Color Correction with ON1, we’re going to look at some of the more creative aspects of color correcting photos. Especially with our outdoor landscape and nature photos, there is no “right” color for it. So it starts to become more about our personal style and what colors we envision for the photos.

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Color Correction Part I

In this first of two videos, we’re going to look at some of the technical aspects of color correcting a photo in ON1 Raw. We’ll look at how we can neutralize color casts, with the White Balance tools as well as take a look at what the Highlight/Shadow Purity controls do.

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Color Spaces and Saving

In this final video I’ll talk about the various options when outputting your photos, whether it be for web, print or something else.

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Photo Workflow Mastery – Toning Your Photos

When it comes to workflow, it is critical to know what is happening to every aspect of your photo as you edit it.  One of those elements that we discussed in Part 1 was Tone.  Sure you may have manipulated a Tone Curve and modified your Highlight and Shadow adjustments here and there, but did you know what was happening to your photo as you made those moves?

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