Tag: Color Correction

Tech Talk – Color Management

Getting the color out of your printer to match what you see on screen is the job of your color management system. Both Mac OS and Windows have built-in color management systems to enable this, along with the apps you use for photography. In order for color management to work properly, you need a profile for each of your devices. The profile acts like a fingerprint for the color for the device. The color management system uses these profiles to translate the color interpretation of one device to another. In this latest post I explain how color management works inside of ON1. 

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ON1 Short Clip — Complete White Balance Control

One of the most common questions I get is, “Blake, how do I adjust the White Balance in my image when the automated settings just don’t work?” You can adjust the White Balance without slider slamming or guessing, but you have to know a little bit about Color Theory!

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Using the Histogram’s RGB Color Channels

Continuing on with our discussion on color, I see a lot of questions on the color channels we can see in our histograms. You could see this in camera if you have your histogram turned on, or you can also see it on all of the various editing apps under the Histogram panels. So what do these channels do? Do they really affect anything? Well, let’s take a look.

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Color Correction Part 2

In Part 2 of Color Correction with ON1, we’re going to look at some of the more creative aspects of color correcting photos. Especially with our outdoor landscape and nature photos, there is no “right” color for it. So it starts to become more about our personal style and what colors we envision for the photos.

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Color Correction Part I

In this first of two videos, we’re going to look at some of the technical aspects of color correcting a photo in ON1 Raw. We’ll look at how we can neutralize color casts, with the White Balance tools as well as take a look at what the Highlight/Shadow Purity controls do.

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ON1 Short Clip – Give a Dull & Flat Photo Some Pop

Just a few minutes in ON1 Photo RAW 2017 can transform a photo from dull & flat to detailed & vibrant. I use Develop to remove some distractions and then some basic adjustments to enhance the colors in the photo. I’ll then jump to Effects to darken the bottom of the photo with a gradient mask and “apply to”. Once I’m done I’ll boost the detail with Dynamic Contrast and finish off the photo by adding a spotlight vignette.

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ON1 Short Clip — A Hidden Feature in ON1 Photo 2017

ON1 Guru Blake Rudis of f64Academy shows us some cool new features on an otherwise lesser known feature. In the past, Blake has shown us how he uses Apply To to protect various parts of his images. You can still do that in ON1 Photo 2017, but there is one more level of control that makes Apply To even more compelling!

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ON1 Short Clip — Incredibly Powerful Presets in Photo RAW

Photo RAW saves both Develop and Effects settings into a single preset. What could be better than that? Saving luminosity masks, too! ON1 Photo RAW includes luminosity masks in saved presets. This feature opens up an entire world of possibilities for powerful, flexible ON1 presets. Join me for a demonstration of using luminosity masks in presets.

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ON1 Inspiration — Episode 14: Harsh Light Is Not an Excuse

It’s so important for photographers to have a good grasp of what ideal conditions are for the type of photography you are setting out to create. When I’m heading to a waterfall, all I can think about is having a socked in, overcast, grey sky with a little rain. As far as I’m concerned, that’s some of the best shooting conditions for my surroundings in the Pacific Northwest and when those conditions are present during a shoot, I am completely in my element.

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